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This volume, featuring 29 tracks across 2-LPs, pressed on 1 Purple and 1 Pink vinyl, presents the best in DISCO and ELECTRO.\u003c\/p\u003e\u003cp\u003eFollowing the height of it's' popularity in the late 1970s, Disco in the early 1980s retained the irresistible melodies and beat but became primarily synth driven. The era saw some of the genres' biggest hits including this collections' opener 'Flashdance... What A Feeling' from Irene Cara - this theme from the film 'Flashdance' was not only a massive selling single, but the song also won multiple awards including an Academy Award.\u003c\/p\u003e\u003cp\u003eLipps Inc. produced a timeless hit with 'Funkytown', and Shalamar with 'A Night To Remember', Odyssey with 'Use It Up And Wear It Out' and Indeep's 'Last Night A DJ Saved My Life' were all huge commercial Disco hits. Disco royalty Nile Rodgers and Bernard Edwards of Chic feature here in their roles as producers and writers with Diana Ross's massive hit 'Upside Down', 'Why' from Carly Simon, and the peerless 'Spacer' from Sheila \u0026amp; B. Devotion and in 1984 remixed Sister Sledge's 'Lost In Music' which became a massive hit again and is included here in it's full 12\" version.\u003c\/p\u003e\u003cp\u003eAmii Stewart's classic version of 'Knock On Wood' was remixed and a hit again, Donna Summer enjoyed huge success with 'She Works Hard For The Money', and other established Disco superstars celebrated returns to the charts with an 80's Disco sound including, and featured on this collection, KC \u0026amp; The Sunshine Band, Patrick Cowley feat. Sylvester and Evelyn \"Champagne\" King. The prevalence of the synth in the 1980s gave rise to new and exciting sounds and to tracks that were created with fusions of genres. On this collection we are celebrating 'ELECTRO' - a sub-genre of Electronic Dance music that combined elements of Disco, Funk and Hip-Hop and featuring a heavy synth backing, and the commercial Electro-Pop hits it produced. In 1984, Chaka Khan who had achieved huge success with the Disco classic 'I'm Every Woman', had a worldwide smash with a cover of Prince's 'I Feel For You' which combined Disco, Funk, R\u0026amp;B, Synth-Pop and Hip-Hop - to stunning effect. Also a hit in 1984, Jimmy Jam and Terry Lewis produced a classic fusion of Disco, R\u0026amp;B, Funk and Synth-Pop for the S.O.S Band with 'Just Be Good To Me' and also included here are hugely influential Electro-Pop gems from Freeez, Rockers Revenge feat. Donnie Calvin, Malcolm McLaren, Break Machine, and Rock Steady Crew. 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The album's sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions.\u003c\/p\u003e\u003cp\u003eThough some writers have often underrated Hubbard's CTI recordings, mistaking them for his later, more commercial output on Columbia, this particular album stands out as a testament to his ingenuity. Hubbard's blend of bravado and subtlety shines through, as does his ability to fuse technical mastery with emotional depth. His ability to maintain a consistent, rich tone across both slow and fast passages placed him among the greatest trumpeters in jazz history.\u003c\/p\u003e\u003cp\u003eInfluenced by legends such as Miles Davis and Clifford Brown, Hubbard nonetheless crafted a sound entirely his own, becoming one of the boldest and most inventive trumpeters of the bop, hard-bop, and post-bop eras. 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